Dave Lunt: March 2014

Thursday 27 March 2014

New Work Feb - March 2014

Nearly finished a multi-part painted piece on glass (just a few extra layers and frames to go, pretty happy with it so heres a few details to go on with!!

Oh and before anyone asks, no my hands wont be in the finished piece!! Images are as follows: 1.Archipelago (plate 3) Oil,Acrlylic and car spray on glass. 2.Archipelago (plate 9) Oil,Acrlylic and car spray on glass.

Thursday 20 March 2014

New works 2013-14

Here are a number of new works, some were exhibited at my recent 'Relics' show in Manchester, some not yet seen, but all from my ongoing 'Terra Incognita' series.

1.Terra Incognita,graphite and ink on paper. 2.Necro-city, graphite and ink on paper. 3. First sighting of Jansenie, graphite and ink on paper. 4. Chart 1 (Following the tradewinds)oil,acrylic and car spray on glass. 5. Chart 2 (Maelstrom)oil,acrylic and car spray on glass.

Artists Statement

My current
practice is centred mainly around painted and drawn formats, alongside
photography, digital composition and occasionally collected imagery from magazines,
websites etc…
The most
recent project I have been working on has focussed primarily on mark-making,
line and gesture. However these pieces have an intentional ambiguous narrative
that hints at (and makes reference to) a number of differing sources and
interests that I find ever fascinating.
From a
young age I have been excited by tales of exploration and old maps, this in
turn has become an adult obsession with sea charts, aerial photography,weather
forecasts and many aspects of geophysical phenomena (in particular theories
relating to the formation of supercontinents) and has grown from a juvenile
love of the ‘fantastic’ nature of such subjects, into a study of the abstract
qualities of cartography ( ideas relating to scale and distortion) and it’s
potential.
Making
reference to literary work by Borges, Baudrillard, Verne and Eco, amongst
others,my artwork is a development of these interests, with the outcome being a
number of hyper-real paintings and drawings, simulated again and again using a number
of different mediums to produce works with a duality that questions both the
idea of the ‘Real’ and the ‘Abstract’.
Starting
with a series of old macro photographs (taken from a long since destroyed
series of gestural abstract expressionist paintings) these images have been
digitally manipulated and worked upon to create compositions with a far more
infinite potential, each work being a direct response to the last. What are
left behind are images that no longer have any origin in the ‘real’ world but
instead exist only through the emergence of their own mythology, a journey
through an undiscovered seemingly dystopian landscapes.