Dave Lunt: October 2012

Thursday 25 October 2012

Flights of Fancy Exhibition - Knutsford Academy Gallery

I will be exhibiting 3 paintings at Knutsford Academy Gallery from 30th October - 11th November (viewable to the public via appointment). The exhibition is a group show and has been curated by David Gilbert (Tatton International Biennial 2012) and students from the school.It is loosely based around the biennials theme of 'Flights of Fancy'. Anyone who would like to go to the private view on the 30th send me an Email and i'll forward an invite.
The three paintings are a triptych which I have shown once before, but never together, so I am very much looking forward to seeing them up!! Add to that the fact that 'Knutsford Academy' is my old school (which I havnt set foot in for the best part of 20 years) and that it is also around 10 years( to my knowledge anyway) since I publically exhibited any work in the town and near surrounding area, it makes for an excitng venture. For further info on the school and directions please see there official website at:

www.knutsfordacademy.org.uk/

for more info on the 'Tatton Biennial' see:

http://www.tattonparkbiennial.org/

Watchtowers.

Prepare for Invasion...

Signals, codes...

Artists Statement

My current
practice is centred mainly around painted and drawn formats, alongside
photography, digital composition and occasionally collected imagery from magazines,
websites etc…
The most
recent project I have been working on has focussed primarily on mark-making,
line and gesture. However these pieces have an intentional ambiguous narrative
that hints at (and makes reference to) a number of differing sources and
interests that I find ever fascinating.
From a
young age I have been excited by tales of exploration and old maps, this in
turn has become an adult obsession with sea charts, aerial photography,weather
forecasts and many aspects of geophysical phenomena (in particular theories
relating to the formation of supercontinents) and has grown from a juvenile
love of the ‘fantastic’ nature of such subjects, into a study of the abstract
qualities of cartography ( ideas relating to scale and distortion) and it’s
potential.
Making
reference to literary work by Borges, Baudrillard, Verne and Eco, amongst
others,my artwork is a development of these interests, with the outcome being a
number of hyper-real paintings and drawings, simulated again and again using a number
of different mediums to produce works with a duality that questions both the
idea of the ‘Real’ and the ‘Abstract’.
Starting
with a series of old macro photographs (taken from a long since destroyed
series of gestural abstract expressionist paintings) these images have been
digitally manipulated and worked upon to create compositions with a far more
infinite potential, each work being a direct response to the last. What are
left behind are images that no longer have any origin in the ‘real’ world but
instead exist only through the emergence of their own mythology, a journey
through an undiscovered seemingly dystopian landscapes.