Dave Lunt: July 2009

Thursday, 23 July 2009

Cornerhouse Exhibition

I will be (99.9%recurring certain) exhibiting a series of new works in the 'Cornerhouse' project space (in the bar/restaurant area) in December 09-January 2010, something which I am very much looking forward to. I'll post more details of the show, dates and website details in good time. Cheerio.

Thursday, 16 July 2009

More Open Exhibiting!!

I have had a new painting ('The Simplest of things...) selected for this years West Lancashire Open Exhibition at the Chapel gallery in Ormskirk. I saw quite a few of the works being put forward when I dropped mine off and it looks like a very high standard!!! So this should be a great show, its certainly a great venue. Info on the gallery and opening times/directions can be found at http://www.chapelgallery.org.uk/ dates for the exhibition are from 25th July - 9th September.

Again although nothing is set in stone, I have had a number of offers for solo shows come up and I am currently sorting and finalising times and dates for these, which should be between late 2009 and early 2010, fingers crossed for these.Please check back and i'll post any updates.

Artists Statement

My current
practice is centred mainly around painted and drawn formats, alongside
photography, digital composition and occasionally collected imagery from magazines,
websites etc…
The most
recent project I have been working on has focussed primarily on mark-making,
line and gesture. However these pieces have an intentional ambiguous narrative
that hints at (and makes reference to) a number of differing sources and
interests that I find ever fascinating.
From a
young age I have been excited by tales of exploration and old maps, this in
turn has become an adult obsession with sea charts, aerial photography,weather
forecasts and many aspects of geophysical phenomena (in particular theories
relating to the formation of supercontinents) and has grown from a juvenile
love of the ‘fantastic’ nature of such subjects, into a study of the abstract
qualities of cartography ( ideas relating to scale and distortion) and it’s
potential.
Making
reference to literary work by Borges, Baudrillard, Verne and Eco, amongst
others,my artwork is a development of these interests, with the outcome being a
number of hyper-real paintings and drawings, simulated again and again using a number
of different mediums to produce works with a duality that questions both the
idea of the ‘Real’ and the ‘Abstract’.
Starting
with a series of old macro photographs (taken from a long since destroyed
series of gestural abstract expressionist paintings) these images have been
digitally manipulated and worked upon to create compositions with a far more
infinite potential, each work being a direct response to the last. What are
left behind are images that no longer have any origin in the ‘real’ world but
instead exist only through the emergence of their own mythology, a journey
through an undiscovered seemingly dystopian landscapes.